Seriously, how great is that cover? Before becoming French pop star Charles de Goal, Patrick Blain was part of C.O.M.A, an electropunk band that recorded one bizarre album, chock with ideas, then dismantled shortly after. Some will find similarities to Metal Urbain in their sound, especially tracks like "Assaut," but C.O.M.A is perhaps the stranger, dumber beast—an eclectic mix of clangy guitar punk, proto-industrial synth, harmonica, and slapdash electronic drums. Each song is its own experiment.
To my ears, Charles de Goal's distinctive guitar sound has always separated them from their new wave contemporaries in France. You can hear the auspice of that tone in C.O.M.A. Blain started Charles de Goal just a year after this release, but it wasn't until 1984 that the group crossed over into the mainstream. In 1983, Blain reconvened with C.O.M.A members Philippe Huart and Philippe Ross as Danse Macabre (one of several Danse Macabres of the era) for another one-off album, a very cool untitled 12" ← dark, like early industrial, with that dense experimental atmosphere the French do best. Danse Macabre reunited in the '00s and Charles de Goal released a new album in 2008.
Clinik Organic Muzak Anatomik